Charming Baker‘s latest solo show “Everything Must Go” is something of a phenomenon as, despite having a string of smaller sell out shows both in the UK and the US over the past few years, it really does feel like Charming Baker has just exploded. His signing to US management agents Pat Magnarella and Roger Klein coupled with the news the show took nigh on £2 million before the doors opened to a packed and star studded private view has led to reams of press. We had to go down in person and check it out in the flesh.
The paintings are done little justice on the web or in the catalogue as in the flesh you can quite easily get absorbed figuring out the rich and intricate layering of pattern and processes involved. As reported elsewhere it is a shame that non-reflective / museum glass wasn’t used on the paintings that were framed but thankfully it didn’t spoil the overall enjoyment too much.
Being such a large body of work on show it is difficult to pick an absolute favourite but one of the stars of the exhibit is undoubtedly the avenue of ceramic busts lining the centre of the spacious gallery. Apparently cast of on the head of his step daughter, each head was wearing a gold mask bearing the face of a different animal – anything from a donkey to an ox. A small but really nice extra detail, and another example of Baker’s subtle use of humour, being how some busts had their hair exposed but left some were wearing swimming caps.
It’ll be interesting to see where Baker goes from here after such a huge success, all made doubly the more interesting to me personally as he began years ago as an illustrator. Whatever the move is I look forward to seeing it.
Everything Must Go runs 8 – 31 July at Mercer St Studios, 16 Mercer St, Covent Garden, London, WC2H 9QE.